What's Mine's Mine — Volume 1 by MacDonald, George, 1824-1905

If my reader, gently obedient to my thaumaturgy, will now turn and cross to the other window, let him as he does so beware of casting a glance on his right towards the place he has left at the table, for the room will now look to him tenfold commonplace, so that he too will be inclined to ask, "How come these and their belongings HERE --just HERE?"--let him first look from the window. There he sees hills of heather rolling away eastward, at middle distance beginning to rise into mountains, and farther yet, on the horizon, showing snow on their crests--though that may disappear and return several times before settling down for the winter. It is a solemn and very still region--not a PRETTY country at all, but great--beautiful with the beauties of colour and variety of surface; while, far in the distance, where the mountains and the clouds have business together, its aspect rises to grandeur. To his first glance probably not a tree will be discoverable; the second will fall upon a solitary clump of firs, like a mole on the cheek of one of the hills not far off, a hill steeper than most of them, and green to the top.

Is my reader seized with that form of divine longing which wonders what lies over the nearest hill? Does he fancy, ascending the other side to its crest, some sweet face of highland girl, singing songs of the old centuries while yet there was a people in these wastes? Why should he imagine in the presence of the actual? why dream when the eyes can see? He has but to return to the table to reseat himself by the side of one of the prettiest of girls!

She is fair, yet with a glowing tinge under her fairness which flames out only in her eyes, and seldom reddens her skin. She has brown hair with just a suspicion of red and no more, and a waviness that turns to curl at the ends. She has a good forehead, arched a little, not without a look of habitation, though whence that comes it might be hard to say. There are no great clouds on that sky of the face, but there is a soft dimness that might turn to rain. She has a straight nose, not too large for the imperfect yet decidedly Greek contour; a doubtful, rather straight, thin-lipped mouth, which seems to dissolve into a bewitching smile, and reveals perfect teeth--and a good deal more to the eyes that can read it. When the mouth smiles, the eyes light up, which is a good sign. Their shape is long oval--and their colour when unlighted, much that of an unpeeled almond; when she smiles, they grow red. She has an object in life which can hardly be called a mission. She is rather tall, and quite graceful, though not altogether natural in her movements. Her dress gives a feathery impression to one who rather receives than notes the look of ladies. She has a good hand--not the doll hand so much admired of those who can judge only of quantity and know nothing of quality, but a fine sensible hand,--the best thing about her: a hand may be too small just as well as too large.